Stone Age flute made of mammoth ivory ...........................................................................40,000 year old flute from Slovenia

We'd go out and travel, sometimes quite far, to gather plants that had the auric fields that matched the auric fields we observed in specific health problems, and we used these herbal remedies, oils, teas and leafy concoctions to soothe and comfort the sick ones, and invite them to come back to health.

If they died, we would do different rituals, bringing different oils and herbal remedies forth as offerings for easy passage into the world of the unseen, placing gifts and ornaments into their graves to accompany them on their journey.

Below is the drawing of a bull that I am particularly pleased with. My friend drew a few horses and I drew the bull on top of his horses, and then he drew another horse on top of my bull. We thought it was a very successful combination. I am amazed at how clear they look, after 30,000 years, and I am thrilled that people still honor our work and find it as beautiful as we thought it was, at that time. There are a few things I have done, in this reproduction, using the modern technology that I now have. I have very respectfully made the horse's head a little clearer, and touched up the bull a little bit, because I remember how it looked at first. In this picture there was originally a figure of an archeologist shown crouched in front of the bull, and I have erased her. The concept of a copyright was unknown, then, so I feel free to do this, particularly since it was my drawing in the first place, and I know my friend would appreciate the restoration of the horse's head.

A group of us would go into our most sacred cave spaces, with big torches to light up the walls, and draw animals in order to coax them into our reality for abundant hunting. The word "draw" means exactly that. We "drew" what we wanted to draw in, with the expectation that these animals would connect with us by sensing our invitation, and feel drawn into our space.

Black Bull with horses, from Lascaux cave

When we visualized images of specific symbolic shapes, we'd carve them and paint them, and discovered that certain forms were able to transmit special powers. Some had effects upon the growth of plants, some facilitated childbirth, others maintained the health of animals.We discovered shapes would preserve stored food, and others could communicate with the forces within the clouds. We had one incredible device that invoked the power of the stars to protect us from fearful spirits at night. The women invented intricate designs to put on our clothing and wear as body decorations, and we carved these patterns into our hunting weapons to enhance their accuracy.

The discoveries we made about the vibrational properties of various shapes were later taken to Sumaria, and then to Egypt, and to Greece, so that over time they have become the basis of our present knowledge of sacred geometry.

Metatron's cube, containing all the forms of sacred geometry

Sacred Geometry creates everything physical and visual in the universe. Every flower design, every crystal within every stone, every snowflake and every helix formation within the bodies of living beings is being generated by complex mathematical equations. Sacred geometry is the basis for fractals, and all the patterns we see in our world are derived from this incredible resource.

There are some very gifted people who have been creating metaphysical tools using this very "new" vibrational information. If you go back to the top of this page, you can click on different sections that speak of these various ways to engage the unseen world. They are invoking and focusing frequencies from the quantum field, in order to make them available for us to use in our every day lives.

The idea of an invisible array of energy fields, functioning interactively within our familiar physical world, is not a well-accepted concept in our society. Our current cultural consensus has elevated reductive science almost to the level of a deity, holding it as the only acceptable validation of "truth." On the other hand, every non-industrial culture, now and throughout history, has acknowledged the presence of invisible spirit-beings and the etheric forces as an ordinary part of life.

If you stretch time down into our early history, you can ask any cave man, and he will tell you that he has always known that there is a magical harmony between the physical world and the world of ephemeral spirits and intuitively perceived vibrational fields.

Now we are rediscovering the beauty and mystery of this comprehensive perception, and rediscovering that animals, and plants, and water, even the earth itself, are all speaking with us in the language of conscious vibration. It is the first language that we shared in the beginning, and we can share it again at any time we choose to listen.